Micachu And The Shapes: 'Jewellery'
2009 has so far been a very good year for new music, and Micachu goes a long way to proving that theory. With enough innovation and creativity to satisfy the wackiest of tastes, Jewellery takes a modern approach to music and revolutionises it. Using a range of instruments – and things that technically aren't even instruments – she creates songs to dazzle and amaze.
From the very start it is clear that Jewellery is not an album that will sit back on it's laurels. 'Vulture' launches in at steady pace with an echoed synth giving it an eerie yet techno feel. Her voice is very listenable, with elements of rap combined with the ability to be delightfully tuneful. The tracks are generally short and sweet, yet bursting with innovation. Follow up 'Lips' contains an off key intro very reminiscent of Bollywood, with a rhythmic vocal melody that certainly gets the head bouncing. What ever it may be that is creating such an interesting noise is certainly well played, and the riff is expertly crafted and fresh. Again, it lasts for a mere 55 seconds but leaves a fantastic impression once it has departed. Ingenuity is also at the heart of 'Golden Phone', a unique vocal based synth opening the track to a wonderfully funky bass line and choral harmonies. Micachu once again displays her vocal talent with a pleasant melody and well written lyrics. “Time's everywhere, yeah but I don't want that” speaks for the erratic and apparently nonsensical direction of the track, yet again demonstrating her ability to intertwine the superficially random and the genius. Many a time an artist has a wacky idea that in fact ends up spoiling their talent, but Micachu manages to strike the balance perfectly and effectively.
Perhaps the most erratic of changes comes in 'Eat Your Heart'. Beginning under heavy synths and and computerised wailing's it drops away in seconds for the entrance of a ukulele and a vocal melody. And as if that wasn't confusing enough, the computerised vocals return midway through. It is a very intriguing and effect move, something that shows confidence and a lot of initiative.
'Floor' is an indication that she is capable of writing great, straightforward songs. With nothing more than a few drums and a synth the track's vocals are allowed to shine through, to wonderful effect. Slightly mournful in tone, the simplistic nature acts as a respite from the erratic and outlandish nature of other tracks. Despite it's name 'Hardcore' is also fairly sensible. Again focusing on a vocal lead it is flanked by techno drones and the occasional drum flurry, yet never intruding on what is a very pleasant track. To demonstrate that she is capable of writing more sensible songs is by no means essential, but goes to show that underneath the synths and added effects Micachu is more than a capable musician.
Jewellery is certainly not a predictable album, and it possibly is not an album that will ever reach the mainstream market, but what it does have is creativity, ambition and charm in abundance. Being able to translate such radical thoughts and ideas into successful tracks is no easy feat, and Micachu And The Shapes have certainly set their stall out as talented and creative individuals. Such an eclectic range of disciplines and thoughts in one place is always something to get excited about, and there is no doubt that very soon many people will be getting excited about this band.
Words: Dan Grose
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