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Whats New?

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UnderOath: 'Too Bright To See, Too Loud To Hear'

UnderOath: 'Too Bright To See,  Too Loud To Hear'

Renowned for their full throttle, no holds barred approach UnderOath have taken a much more conservative and mature route for their forthcoming single 'Too Bright To See, Too Loud To Hear'. Gone are the immediate screams and crashing cymbals in favour of a careful construction of melody, both vocal and instrumental. The guitars are clean and sparingly used, a string picked riff setting off the track giving way to moody sustained chords. Aaron Gillespie’s clean vocals are mournful and atmospheric, building anticipation well.  It is a stark change from the adrenaline rush usually delivered by the sextet, but as the track evolves gradually, it is easy to appreciate a more conscientious approach. When the inevitable release arrives it is almost euphoric, Spencer Chamberlain unleashing his trademark scream over dirty distorted guitars in full flow.  Unfortunately it is over rather quickly, but lasts long enough to deliver a much earned hit of noise.

The craftsmanship of creating such a subtle yet wholly powerful track is something to be admired. After a few listens the intricacies begin to shine through, with delicate drum flourishes and vocal harmonies making for a well rounded, full sound. It certainly is a different approach, but one that goes a long way to enhance the band’s style rather than alter it.

Words: Dan Grose

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